|
Crack-Up |
Crack-Up |
1946 |
USA |
|
Irving Reis |
|
Crepúsculo |
Crepúsculo |
1945 |
MEX |
|
Julio Bracho |
|
Crime Against Joe |
Crime Against Joe |
1956 |
USA |
|
Lee Sholem |
|
Crimson Canary, The |
The Crimson Canary |
1945 |
USA |
|
John Hoffman |
|
Crimson Key, The |
The Crimson Key |
1947 |
USA |
|
Eugene Forde |
|
Crooked Web, The |
The Crooked Web |
1955 |
USA |
|
Nathan Juran |
|
Cry Danger |
Cry Danger |
1951 |
USA |
|
Robert Parrish |
|
Cry Of The Hunted |
Cry Of The Hunted |
1953 |
USA |
|
Joseph H. Lewis |
|
Cry Wolf |
Cry Wolf |
1947 |
USA |
|
Peter Godfrey |
|
Dämon der Frauen |
Cast A Dark Shadow |
1955 |
UK |
|
Lewis Gilbert |
|
Dämon Geld |
Apenas un delincuente |
1949 |
ARG |
|
Hugo Fregonese |
|
dämonische Ich, Das |
Wanted For Murder |
1946 |
UK |
|
Lawrence Huntington |
|
Dämonischen, Die |
Invasion Of The Body Snatchers |
1956 |
USA |
|
Don Siegel |
|
Dancing With Crime |
Dancing With Crime |
1947 |
UK |
|
John Paddy Carstairs |
|
Danger Signal |
Danger Signal |
1945 |
USA |
|
Robert Florey |
|
Danger Zone |
Danger Zone |
1951 |
USA |
|
William Berke |
|
Dangerous Profession, A |
Dangerous Profession, A |
1949 |
USA |
|
Ted Tetzlaff |
|
Dark Past, The |
The Dark Past |
1948 |
USA |
|
Rudolph Maté |
|
Dark Waters |
Dark Waters |
1944 |
USA |
|
André De Toth |
|
Das war Mord, Mr. Doyle |
Crime of Passion |
1956 |
USA |
|
Gerd Oswald |
|
Deadline At Dawn |
Deadline At Dawn |
1946 |
USA |
|
Harold Clurman |
|
Deception |
Deception |
1946 |
USA |
|
Irving Rapper |
|
Decoy |
Decoy |
1957 |
USA |
|
Arthur H. Singer, David Alexander, Don Medford, Marc Daniels, Michael Gordon, Stuart Rosenberg |
|
Dein Leben in meiner Hand / Frau auf der Flucht |
Woman In Hiding |
1950 |
USA |
|
Michael Gordon |
|
Dein Schicksal in meiner Hand |
Sweet Smell Of Success |
1957 |
USA |
|
Alexander Mackendrick |
|
Desert Fury – Liebe gewinnt |
Desert Fury |
1947 |
USA |
|
Lewis Allen |
|
Desperate |
Desperate |
1947 |
USA |
|
Anthony Mann |
|
Destination Murder |
Destination Murder |
1950 |
USA |
|
Edward L. Cahn |
|
Detour |
Detour |
1945 |
USA |
|
Edgar G. Ulmer |
|
Devil Thumbs A Ride, The |
The Devil Thumbs A Ride |
1947 |
USA |
|
Felix E. Feist |
|
Dial 1119 |
Dial 1119 |
1950 |
USA |
|
Gerald Mayer |
|
Dial Red 0 |
Dial Red 0 |
1955 |
USA |
|
Daniel B. Ullman |
|
diosa arrodillada, La |
La diosa arrodillada |
1947 |
MEX |
|
Roberto Gavaldón |
|
Distinto amanecer |
Distinto amanecer |
1943 |
MEX |
|
Julio Bracho |
|
Doppelleben, Ein / Mord in Ekstase |
A Double Life |
1948 |
USA |
|
George Cukor |
|
Double Confession |
Double Confession |
1950 |
UK |
|
Ken Annakin |
|
Double Jeopardy |
Double Jeopardy |
1955 |
USA |
|
R. G. Springsteen |
|
Drei dunkle Straßen |
Down 3 Dark Streets |
1954 |
USA |
|
Arnold Laven |
|
Drei Uhr nachts |
Bob le flambeur |
1956 |
FRA |
|
Jean-Pierre Melville |
|
dritte Mann, Der |
The Third Man |
1949 |
UK |
|
Carol Reed |
|
Drive A Crooked Road |
Drive A Crooked Road |
1954 |
USA |
|
Richard Quine |
|
Du lebst noch 105 Minuten |
Sorry, Wrong Number |
1948 |
USA |
|
Anatole Litvak |
|
Duell am Steuer |
Hell Drivers |
1957 |
UK |
|
Cyril Endfield |
|
Døden er et kjærtegn |
Døden er et kjærtegn |
1949 |
NOR |
|
Edith Carlmar |
|
Ehe mit dem Satan / Maskierte Herzen |
Sudden Fear |
1952 |
USA |
|
David Miller |
|
Eight O’Clock Walk |
Eight O’Clock Walk |
1954 |
UK |
|
Lance Comfort |
|
Ein zum Tode Verurteilter ist entflohen |
Un condamné à mort s'est échappé ou Le vent souffle où il veut |
1956 |
FRA |
|
Robert Bresson |
|
Einer weiß zuviel |
Woman On The Run |
1950 |
USA |
|
Norman Foster |
|
einsamer Ort, Ein |
In A Lonely Place |
1950 |
USA |
|
Nicholas Ray |
|
Embezzler, The |
The Embezzler |
1954 |
UK |
|
John Gilling |
|
Ende einer Reise, Das |
The Interrupted Journey |
1949 |
UK |
|
Daniel Birt |
|
Endstation Mord |
Gambling House |
1950 |
USA |
|
Ted Tetzlaff |
|
Engel der Verlorenen / Der trunkene Engel |
Yoidore Tenshi |
1948 |
JPN |
|
Akira Kurosawa |
|
Engel, der ein Teufel war, Der |
Voici le temps des assassins... |
1956 |
FRA |
|
Julien Duvivier |
|
Engelsgesicht |
Angel Face |
1952 |
USA |
|
Otto Preminger |
|
Entfesselte Jugend |
Crime In The Streets |
1956 |
USA |
|
Don Siegel |
|
Entfesselte Moral |
Aventurera |
1950 |
MEX |
|
Alberto Gout |
|
Entgleist |
No Man Of Her Own |
1950 |
USA |
|
Mitchell Leisen |
|
Entscheidung in der Sierra |
High Sierra |
1941 |
USA |
|
Raoul Walsh |
|
Epilog – Das Geheimnis der Orplid |
Epilog – Das Geheimnis der Orplid |
1950 |
GER |
|
Helmut Käutner |
|
Erbe des Henkers |
Moonrise |
1948 |
USA |
|
Frank Borzage |
|
Erpresserin |
The Last Page / Man Bait |
1952 |
UK |
|
Terence Fisher |
|
Escape By Night |
Escape By Night |
1953 |
UK |
|
John Gilling |
|
Escape In The Fog |
Escape In The Fog |
1945 |
USA |
|
Budd Boetticher |
|
Exposed |
Exposed |
1947 |
USA |
|
George Blair |
|
expreso de Andalucía, El |
El expreso de Andalucía |
1956 |
ESP |
|
Francisco Rovira-Beleta |
|
Face The Music / The Black Glove |
Face The Music |
1954 |
UK |
|
Terence Fisher |
|
Fahrstuhl zum Schafott |
Ascenseur pour l'échafaud |
1957 |
FRA |
|
Louis Malle |
|
Fahrt in den Abgrund, Die |
The Long Haul |
1957 |
UK/USA |
|
Ken Hughes |
|
Fall Guy |
Fall Guy |
1947 |
USA |
|
Reginald Le Borg |
|
Fall Rabanser, Der |
Fall Rabanser, Der |
1950 |
GER |
|
Kurt Hoffmann |
|
Fallen Sparrow, The |
The Fallen Sparrow |
1943 |
USA |
|
Richard Wallace |
|
falsche Mann, Der |
The Wrong Man |
1956 |
USA |
|
Alfred Hitchcock |
|
Fat Man, The |
The Fat Man |
1951 |
USA |
|
William Castle |
|
Faustrecht der Großstadt |
Where the Sidewalk Ends |
1950 |
USA |
|
Otto Preminger |
|
Fear |
Fear |
1946 |
USA |
|
Alfred Zeisler |
|
Fear In The Night |
Fear In The Night |
1947 |
USA |
|
Maxwell Shane |
|
Feind im Dunkel / Der weiße Schatten |
The Dark Corner |
1946 |
USA |
|
Henry Hathaway |
|
Female Jungle |
Female Jungle |
1955 |
USA |
|
Bruno Ve Sota |
|
Female On The Beach |
Female On The Beach |
1955 |
USA |
|
Joseph Pevney |
|
Flame, The |
The Flame |
1947 |
USA |
|
John H. Auer |
|
Flamingo Road |
Flamingo Road |
1949 |
USA |
|
Michael Curtiz |
|
Flicka och hyacinter |
Flicka och hyacinter |
1950 |
SWE |
|
Hasse Ekman |
|
Fluch der Vergangenheit / Ruf der Vergangenheit |
The Shop At Sly Corner / Code Of Scotland Yard |
1947 |
UK |
|
George King |
|
Flucht ohne Ausweg |
Raw Deal |
1948 |
USA |
|
Anthony Mann |
|
Flucht vor Scotland Yard, Die |
It Always Rains On Sunday |
1947 |
UK |
|
Robert Hamer |
|
Flüsternde Schatten |
Chase a Crooked Shadow |
1958 |
UK |
|
Michael Anderson |
|
Forbidden / Scarlet Heaven |
Forbidden / Scarlet Heaven |
1949 |
UK |
|
George King |
|
Force Of Evil |
Force of Evil |
1948 |
USA |
|
Abraham Polonsky |
|
Framed / Paula |
Framed |
1947 |
USA |
|
Richard Wallace |
|
Frau am Abgrund |
Whirlpool |
1949 |
USA |
|
Otto Preminger |
|
Frau im Netz / Goldener Käfig |
Cage Of Gold |
1950 |
UK |
|
Basil Dearden |
|
Frau ohne Gewissen |
Double Indemnity |
1944 |
USA |
|
Billy Wilder |
|
Frauen, die uns nachts begegnen |
The Flesh Is Weak |
1957 |
UK |
|
Don Chaffey |
|
Fremde im Zug, Der / Verschwörung im Nordexpress |
Strangers on a Train |
1951 |
USA |
|
Alfred Hitchcock |
|
Fünf unter Verdacht / Mord in Belgesund |
Fünf unter Verdacht – Stadt im Nebel / Mord in Belgesund |
1950 |
GER |
|
Kurt Hoffmann |
|
fünfte Kolonne, Die |
Foreign Intrigue |
1956 |
USA |
|
Sheldon Reynolds |
|
Gangster / Das Syndikat |
The Racket |
1951 |
USA |
|
John Cromwell, Nicholas Ray |
|
Gangster in Key Largo / Hafen des Lasters |
Key Largo |
1948 |
USA |
|
John Huston |
|
Gangster ohne Gnade |
This Side Of The Law |
1950 |
USA |
|
Richard L. Bare |
