|
lange Nacht, Die |
The Long Night |
1947 |
USA |
|
Anatole Litvak |
|
Lebensgier |
Human Desire |
1954 |
USA |
|
Fritz Lang |
|
City Of Fear |
City Of Fear |
1958 |
USA |
|
Irving Lerner |
|
Auf den Schienen zur Hölle |
Time Table / Timetable |
1956 |
USA |
|
Mark Stevens |
|
Straße des Verbrechens |
Slightly Scarlet |
1956 |
USA |
|
Allan Dwan |
|
5 Against The House |
5 Against The House |
1955 |
USA |
|
Phil Karlson |
|
Verdict, The |
The Verdict |
1946 |
USA |
|
Don Siegel |
|
Killer That Stalked New York, The |
The Killer That Stalked New York / Frightened City |
1950 |
USA |
|
Earl McEvoy |
|
Ums nackte Leben |
The Garment Jungle |
1957 |
USA |
|
Robert Aldrich, Vincent Sherman |
|
Mädchen aus der Unterwelt |
Party Girl |
1958 |
USA |
|
Nicholas Ray |
|
Shockproof |
Shockproof |
1949 |
USA |
|
Douglas Sirk |
|
Briefe aus dem Jenseits |
The Lost Moment |
1947 |
USA |
|
Martin Gabel |
|
Richter bin ich, Der |
I, The Jury |
1953 |
USA |
|
Harry Essex |
|
Framed / Paula |
Framed |
1947 |
USA |
|
Richard Wallace |
|
Gangster, The / Low Company |
Gangster, The |
1947 |
USA |
|
Gordon Wiles |
|
Crooked Web, The |
The Crooked Web |
1955 |
USA |
|
Nathan Juran |
|
Second Woman, The / Ellen |
The Second Woman |
1950 |
USA |
|
James V. Kern |
|
Vor verschlossenen Türen |
Knock On Any Door |
1949 |
USA |
|
Nicholas Ray |
|
Strafsache Thelma Jordon |
The File On Thelma Jordon |
1950 |
USA |
|
Robert Siodmak |
|
Lady On A Train |
Lady On A Train |
1945 |
USA |
|
Charles David |
|
Lasst mich leben |
I Want to Live! |
1958 |
USA |
|
Robert Wise |
|
Night Editor |
Night Editor |
1946 |
USA |
|
Henry Levin |
|
Beyond The Forest |
Beyond The Forest |
1949 |
USA |
|
King Vidor |
|
Blonder Lockvogel |
Decoy |
1946 |
USA |
|
Jack Bernhard |
|
Cry Of The Hunted |
Cry Of The Hunted |
1953 |
USA |
|
Joseph H. Lewis |
|
Roses Are Red |
Roses Are Red |
1947 |
USA |
|
James Tinling |
|
Nocturne |
Nocturne |
1946 |
USA |
|
Edwin L. Marin |
|
In die Enge getrieben |
Tight Spot |
1955 |
USA |
|
Phil Karlson |
|
Sniper, The |
The Sniper |
1952 |
USA |
|
Edward Dmytryk |
|
gläserne Mauer, Die |
The Glass Wall |
1953 |
USA |
|
Maxwell Shane |
|
Nightfall |
Nightfall |
1957 |
USA |
|
Jacques Tourneur |
|
Henker ist unterwegs, Der |
The Lineup |
1958 |
USA |
|
Don Siegel |
|
Dangerous Profession, A |
Dangerous Profession, A |
1949 |
USA |
|
Ted Tetzlaff |
|
Zwischen Mitternacht und Morgen |
Between Midnight And Dawn / Prowl Car |
1950 |
USA |
|
Gordon Douglas |
|
Triumphbogen |
Arch Of Triumph |
1948 |
USA |
|
Lewis Milestone |
|
Terror in Portland City |
Portland Exposé |
1957 |
USA |
|
Harold D. Schuster |
|
Smooth As Silk |
Smooth As Silk |
1946 |
USA |
|
Charles Barton |
|
Cry Wolf |
Cry Wolf |
1947 |
USA |
|
Peter Godfrey |
|
Gegen alle Gewalten |
I Died A Thousand Times |
1955 |
USA |
|
Stuart Heisler |
|
Spur führt zum Hafen, Die / Harte Fäuste |
The Mob |
1951 |
USA |
|
Robert Parrish |
|
My Name Is Julia Ross |
My Name Is Julia Ross |
1945 |
USA |
|
Joseph H. Lewis |
|
Straße des Terrors |
Crashout |
1955 |
USA |
|
Lewis R. Foster |
|
Sensation am Sonnabend |
Violent Saturday |
1955 |
USA |
|
Richard Fleischer |
|
Pantherkatze |
New York Confidential |
1955 |
USA |
|
Russell Rouse |
|
Toter lügt nicht, Ein |
The Burglar |
1957 |
USA |
|
Paul Wendkos |
|
Chicago - 12 Uhr Mitternacht |
City That Never Sleeps |
1953 |
USA |
|
John H. Auer |
|
Cry Danger |
Cry Danger |
1951 |
USA |
|
Robert Parrish |
|
Brasher Doubloon, The / The High Window |
The Brasher Doubloon |
1947 |
USA |
|
John Brahm |
|
Nacht hat tausend Augen, Die |
Night Has A Thousand Eyes |
1948 |
USA |
|
John Farrow |
|
Mord ist mein Geschäft |
Murder Is My Beat |
1955 |
USA |
|
Edgar G. Ulmer |
|
Cause For Alarm! |
Cause For Alarm! |
1951 |
USA |
|
Tay Garnett |
|
schwarze Buch, Das / Dämon von Paris |
The Black Book / Reign Of Terror |
1949 |
USA |
|
Anthony Mann |
|
Please Murder Me! |
Please Murder Me! |
1956 |
USA |
|
Peter Godfrey |
|
Johnny O’Clock |
Johnny O’Clock |
1947 |
USA |
|
Robert Rossen |
|
Verlorene Frauen / Frauengefängnis |
Caged! |
1950 |
USA |
|
John Cromwell |
|
Johnny Angel |
Johnny Angel |
1945 |
USA |
|
Edwin L. Marin |
|
Tote lebt, Der |
Johnny Eager |
1941 |
USA |
|
Mervyn LeRoy |
|
Crack-Up |
Crack-Up |
1946 |
USA |
|
Irving Reis |
|
Menschenfalle, Die |
Trapped |
1949 |
USA |
|
Richard Fleischer |
|
Konflikt / Tatort Springfield |
Conflict |
1945 |
USA |
|
Curtis Bernhardt |
|
Two Mrs. Carrolls, The |
The Two Mrs. Carrolls |
1947 |
USA |
|
Peter Godfrey |
|
Leben ist Lüge, Das |
Lonelyhearts |
1958 |
USA |
|
Vincent J. Donahue |
|
Nobody Lives Forever |
Nobody Lives Forever |
1946 |
USA |
|
Jean Negulesco |
|
Parole, Inc. |
Parole, Inc. |
1948 |
USA |
|
Alfred Zeisler |
|
Capture, The |
The Capture |
1950 |
USA |
|
John Sturges |
|
23 Schritte zum Abgrund |
23 Paces To Baker Street |
1956 |
USA |
|
Henry Hathaway |
|
Bis zur letzten Stunde |
Kiss The Blood Off My Hands |
1948 |
USA |
|
Norman Foster |
|
fünfte Kolonne, Die |
Foreign Intrigue |
1956 |
USA |
|
Sheldon Reynolds |
|
Jagd auf Dillinger |
Dillinger |
1945 |
USA |
|
Max Nosseck |
|
Drei dunkle Straßen |
Down 3 Dark Streets |
1954 |
USA |
|
Arnold Laven |
|
Unter Verdacht |
The Suspect |
1944 |
USA |
|
Robert Siodmak |
|
Zum Schweigen verurteilt / Ich beichte |
I Confess |
1953 |
USA |
|
Alfred Hitchcock |
|
Attentäter, Der |
Suddenly |
1954 |
USA |
|
Lewis Allen |
|
Taxi 539 antwortet nicht |
99 River Street |
1953 |
USA |
|
Phil Karlson |
|
Over-Exposed |
Over-Exposed |
1956 |
USA |
|
Lewis Seiler |
|
Schrei in der Nacht, Ein |
A Cry In The Night |
1956 |
USA |
|
Frank Tuttle |
|
Ohne Erbarmen |
Ruthless |
1948 |
USA |
|
Edgar G. Ulmer |
|
Two Of A Kind |
Two Of A Kind |
1951 |
USA |
|
Henry Levin |
|
toten Jahre, Die / 14 Jahre Sing-Sing |
I Walk Alone |
1948 |
USA |
|
Byron Haskin |
|
One Girl’s Confession |
One Girl’s Confession |
1953 |
USA |
|
Hugo Haas |
|
Skandalblatt |
Scandal Sheet |
1952 |
USA |
|
Phil Karlson |
|
Blueprint For Murder, A |
A Blueprint For Murder |
1953 |
USA |
|
Andrew L. Stone |
|
Boomerang |
Boomerang |
1947 |
USA |
|
Elia Kazan |
|
Menschenschmuggel |
The Breaking Point |
1950 |
USA |
|
Michael Curtiz |
|
Deadline At Dawn |
Deadline At Dawn |
1946 |
USA |
|
Harold Clurman |
|
Tension |
Tension |
1949 |
USA |
|
John Berry |
|
Schachmatt |
Pushover |
1954 |
USA |
|
Richard Quine |
|
Locket, The |
The Locket |
1946 |
USA |
|
John Brahm |
|
Dämonischen, Die |
Invasion Of The Body Snatchers |
1956 |
USA |
|
Don Siegel |
|
Journey Into Fear |
Journey Into Fear |
1943 |
USA |
|
Norman Foster |
|
Todeszelle Nr. 5 |
I Wouldn’t Be In Your Shoes |
1948 |
USA |
|
William Nigh |
|
Unsuspected, The |
Unsuspected, The |
1947 |
USA |
|
Michael Curtiz |
|
Scotland Yard greift ein |
The Lodger |
1944 |
USA |
|
John Brahm |
|
Nacht der Wahrheit, Die |
The Big Night |
1951 |
USA |
|
Joseph Losey |
|
Hyänen der Unterwelt |
Loan Shark |
1952 |
USA |
|
Seymour Friedman |
|
Naked Alibi |
Naked Alibi |
1954 |
USA |
|
Jerry Hopper |
|
Police Reporter / Shoot To Kill |
Shoot To Kill |
1947 |
USA |
|
William Berke |
|
Ride The Pink Horse |
Ride The Pink Horse |
1947 |
USA |
|
Robert Montgomery |
|
Panther, Der |
Highway 301 |
1950 |
USA |
|
Andrew L. Stone |
|
Labyrinth, Das / Menschen ohne Seele |
Union Station |
1950 |
USA |
|
Rudolph Maté |