|
Asphaltgeier |
The Case Against Brooklyn |
1958 |
USA |
|
Paul Wendkos |
|
Big Bluff, The |
The Big Bluff |
1955 |
USA |
|
W. Lee Wilder |
|
blonde Tiger, Der |
Too Late For Tears / Killer Bait |
1949 |
USA |
|
Byron Haskin |
|
Dial Red 0 |
Dial Red 0 |
1955 |
USA |
|
Daniel B. Ullman |
|
Flucht ohne Ausweg |
Raw Deal |
1948 |
USA |
|
Anthony Mann |
|
Gangster / Das Syndikat |
The Racket |
1951 |
USA |
|
John Cromwell, Nicholas Ray |
|
Gardenia – eine Frau will vergessen |
The Blue Gardenia |
1953 |
USA |
|
Fritz Lang |
|
Hyänen der Unterwelt |
Loan Shark |
1952 |
USA |
|
Seymour Friedman |
|
Mann mit der Narbe, Der |
Hollow Triumph / The Scar |
1948 |
USA |
|
Steve Sekely |
|
Mysterious Mr. Valentine, The |
The Mysterious Mr. Valentine |
1946 |
USA |
|
Philip Ford |
|
Nacht der Wahrheit, Die |
The Big Night |
1951 |
USA |
|
Joseph Losey |
|
Over-Exposed |
Over-Exposed |
1956 |
USA |
|
Lewis Seiler |
|
Richard Diamond, Privatdetektiv |
Richard Diamond, Private Detective |
1957 |
USA |
|
Roy Del Ruth, Stuart Rosenberg |
|
Schritte in der Nacht |
He Walked By Night |
1948 |
USA |
|
Alfred L. Werker, Anthony Mann |
|
Stadt in Aufruhr |
The Well |
1951 |
USA |
|
Leo C. Popkin, Russell Rouse |
|
Terror in Block 11 |
Riot In Cell Block 11 |
1954 |
USA |
|
Don Siegel |
|
Zwischen Mitternacht und Morgen |
Between Midnight And Dawn / Prowl Car |
1950 |
USA |
|
Gordon Douglas |
